....where I seem to be interested in sports this week

Monday, 30 June 2014

Shakespeare's Sack



Delving more and more into the back story of wine I find it very interesting how our modern day experiences differ from past eras. Say you had to pick just one wine to serve at a function or get together, you'd probably go with a dry red table wine; pleasantly tasty but not too rich or fruity. A Cote du Rhone or Montepulciano d'Abruzzo.
Remarkably, for a lot wine history, this is precisely what no one would have expected. Instead, sweetish, sometimes fortified, white wine has held long periods of sway. I was surprised to find that Falernian, the premium Italian wine of the Ancient Roman aristocracy was in fact a richly aged sweet wine most akin to modern day madeira, rather than a juicy, tannic red that the mezzogiorno can produce so competently today.
While I profiled the popularity of claret in Britain last week, sweet German white wine from the Rhine Valley was also quite a popular import from the medieval period onward. The problem it shared with the earlier, lighter style of Bordeaux claret was that it didn't keep. Coopering technology wasn't airtight, so to speak, and so a consumer of wine was always looking for the freshest potation possible.
One style of wine that was easier to keep was higher alcohol sweet whites that tended to be produced in and around the Greek islands. Not only was this a long way to ship wine to England, but by the dawn of the age of exploration that part of the Mediterranean was under Ottoman dominion.

Up stepped the entrepreneurial Spanish Duke of Medina Sidonia. At the port of Saluncar, down river from Seville, he got rid of any export duty on local wines, and encouraged English merchants to establish premises in the town during the halcyon early days of Henry VIII's marriage to Catherine of Aragon. This wine, from the southern extremity of Christian Andalucia was known in Spanish specifically as an export item, or saco. The English rendered it as sack. Later generations, perhaps in an early bout of wine pontificating, attempted to pronounce Jerez, the prominent town of the nearby vineyards, and came up with sherry.

A view of Jerez de la Frontera; sherry and 'Uncle Pepe' feature prominently

One incredible episode in particular led to a sherry rage in England. In 1587, the well known circumnavigator and pirate Francis Drake decided to add to his legend by mounting a preemptive raid on Cadiz, the staging point for the Spanish Armada. Sailing with a fleet unmolested into the harbour full of ships stuck inertly at anchor. The raid was so daring, that not only did Drake abscond with four galleons laden with gold and arms, but had the time to make off with nearly 1,500 tuns of sack that had been sitting on the quayside.
It was said there was hardly a tavern in England that for years to come didn't advertise 'authentic Cadiz' among their stocks.

The George Inn, near Bankside. Dates from slightly after Shakespeare (1670's) but would have wrapped around on three sides to form a courtyard, forming a setting similar enough to the tiered theatres of those days

 Not far from where a replica of Drake's Golden Hinde lies moored on Bankside is the recreation of the Globe Theatre, and the neighborhood still sports a handful of taverns in the same location as those of Drake and Shakespeare's day. In the spirit of the age, not surprisingly sack was one of his drinks of choice, most notably commemorated in the inebriated knight Falstaff in Henry V. This steady habit culminates in his humourous paean where he opines that "If had a thousand sons, the first humane principle I would teach them should be, to forswear thin potations, and to addict themselves to sack".
Hugh Johnson notes that by 'thin potations', Falstaff is of course referring to the other predominant choices, Gascon claret or Rhenish white. However, sack wasn't fortified with spirits in those days, and thus hit a natural maximum alcohol of around 16%. It's probably a good thing he never had the chance to come across Vintage Port.

In modern times 'sack' is still given as a byword for medium dry sherries, like oloroso or amontillado. Indeed Williams & Humbert, one of the old English sherry houses, still label their amontillado as 'Dry Sack'; and this inviting and affordable drop served, slightly chilled, as many an aperitif for me in university days. We're reminded that unlike the polite one or two glasses before a meal that was drunk in the 19th and 20th centuries, prior to that our London Bankside revelers would have been on the higher proof sherry all night. But, best leave my encounters with casks of amontillado in Thames-side cellars for another time.

Williams & Humbert Dry Sack, still delicious

Tuesday, 24 June 2014

Claret: A short-ish history of Britain's wine





There are few brands that measure up to the resonance that the British have down the years given claret, the red table wine from Bordeaux. In cars, one can colloquially acquaint Rolls-Royce with power or a Cadillac, somewhat anachronistically, with luxury. With watches, there might be Rolex, but there also have to be a dozen other names that I'm sure tell time just as well and look flash on your wrist. In wine, at the elite level, there are those who swear by the top red burgundies, but realistically the pride of place has always gone to bordeaux. From plain appellated bordeaux bizarrely available at practically every off-license for eight quid, to the cherished classified growths that might be cautiously produced to meet an occasion such as Christmas dinner, the British have a lingering attachment to the red wines of the Gironde estuary. The question may be asked, is why?
I suppose one response might be that it is simply bloody tasty, and it certainly is. The handful of classified growths (that is, the sixty odd chateaux demarcated into five tiers in 1855 based then on price) I've had the opportunity to try (none being first growth) are far and away the most delicious wines I've tasted. Some Brunellos di Montalcino would be second. Granted, I haven't yet dabbled in what would be regarded as some of the prime competitors: top shelf stuff from Napa, Barossa , Chateuneuf-de-Pape or burgundy. But that in of itself is an example of what I'm talking about. Why is it that anytime I've been a part of a dinner in Canada or Britain where a truly noteworthy bottle of wine was in the offing, it was inevitably a bordeaux?
The terroir can only be part of the story. The gravel topsoil along the gentle inclines of the Medoc, with the best estates in view of the river; the temperate ocean breezes with a goldilocks like mixture of sun and cloud through the growing season. Surely these qualities can theoretically be replicated elsewhere on planet Earth. The true narrative of the dominance of claret around the world has as much to do with English history and the vagaries of business.
Grape vines are attested as being introduced to Aquitaine by the Romans in the first century AD, but for our purposes the story really begins at the height of the medieval period. (I tend to wonder what Bordelais peasants eight hundred years ago would have thought of their wines. Would they have any concept that their grapes were anything special than compared to the next estuary over, Armagnac, say?)
In 1151 Henry of Anjou, keen to press his claim as King of England (this was the tail end of the time period known as 'the Anarchy' as profiled in Ken Follett's Pillars of the Earth) arranged to marry Eleanor, the duchess of Aquitaine, formerly the wife of King Louis VII of France, which would set off the first in a seemingly interminable number of squabbles across the Channel. 
Aquitaine, on the Atlantic south west side of the country became Henry II's, and England's, toehold on the continent. (Henry II would also be forever remembered in a certain country's textbooks for taking the advice of the only English Pope of all time, Adrian IV, and figuratively planting his three lion and fleur-de-lis quartered standard into the Wexford shoreline, but we'll leave that story of a horribly named cider called Strongbow for another time). By the time of the succession Henry and Eleanor' son Richard Coeur-de-lion to the English throne (Sean Connery in Prince of Thieves, obviously), Aquitaine, and it's buzzing harbour on the Gironde, Bordeaux, was creating a direct pipeline for the export of lovely red wine to the ports of England. After all, the more obvious geographical candidate of Normandy hasn't been known for much more than its calvados.
Bordeaux harbour in the 19th century

During the late medieval period claret, thought to be derived from clairet or 'clear' (in English it is never pronounced with a French inflexion; instead like the claret & blue of the West Ham Utd. strips, if that helps) was in fact quite a light, fruity wine. Perfect for every day consumption, and streets away from the majestic long lived classified growths of the modern period. In those days Graves, just up-river from the city, were the preferred vineyards of the region; the Medoc, situated on the estuary, was still marshland. A veritable patchwork of red grapes were originally planted in Bordeaux, and over time Cabernet Sauvignon, Petite Verdot and Malbec were observed to thrive on the left bank. The age of Merlot dominating the right bank would be some time in coming.
At the outset of the lazily named Hundred Year's War in 1338 (triggered by dynastic squabbles of course... I'm slightly surprised there was never an all-out European war of Mongolian succession at some point) England was importing some 20,000 tuns of claret from the docks of Bordeaux. Having consulted charts on imperial measurement and dusted off the 'ole Texas instrument, and about fifteen minutes later of fumbling about with my brain processing arithmetic (not easy for this historian) that comes to a whopping thirty million, five hundred and thirty five thousand, six hundred and eighty bottles worth (or 30,535,680). Off the top of my head that seems like a lot of wine to be venturing up the Atlantic coast at harvest time in the fourteenth century. This accounted for 31% of all English imports, of any description.
By the end of the war in 1453, the kingdom of France had recaptured Gascony and Aquitaine for good and the duty free advantages of shipping wine from Bordeaux dried up. Nevertheless the English appetite for easy drinking claret was set. It was readily available in the better supplied taverns, while lords and bishops vied to get their hands on the scant cache of darker, richer aged (for one year- hurray!) clarets. 

Despite the British tending to carry a certain disdain for the French generally, the Bordelais were almost like those transplanted cousins whose eccentricities you deep down admire, and kind of wished to see more often. By contrast, the import of wine from elsewhere in France and Spain was paltry; while having to make the long journey from the Mediterranean, Italian wine was virtually non-existent. Additionally, the 'little ice age' of the 15th century ended any hopes of indigenous viticulture.
The 17th century saw the beginnings of the golden age of British claret drinking alongside the tentative baby steps the nation was taking towards modern, consumer driven society. We can thank the Dutch (always handy in a fix) for draining the land of the Medoc and encouraging the planting of vines. After the Reformation, under a puritanical re-assessment of anything a bit swish, claret came under its first challenge of respectability. In his recent published work, the fantastic The Politics of Wine in Britain: 1649-1860, Charles Ludington argues that for near one hundred years the drinking of claret, it being French and all, carried with it a specific political association with the Cavaliers, the Restoration court, Tories and Jacobites. Being suavely coiffed suspected Catholics who lazed about and dueled with swords (essentially living the life of a Musketeer) was not what 17th century bowl haircutted, bible reading John Bull wanted to be like, so he drank ale or beer.  

This paradigm was likely true to some extent, as the import duty on French wine had basically put the libation beyond the reach of the typical individual and for several centuries (arguably until near enough to the dawn of the 21st century) wine drinking would be the preserve of the upper and middle classes. Samuel Pepys, as what might be called an urban middle class individual in the 1660's, carefully kept notes of his wine purchases in his diary, a healthy plurality of which was claret for his cellar. With the advent of a recognizably modern political apparatus with ministers and public policies and the like, perpetually threatening war with the Sun King's France led to a series of embargoes on French wine. This was the era of 'mercantilism' and the delightfully simple theory that national wealth was generated by out-exporting your rivals; and so why the hell should the English nation keep sending its hard earned guineas and shillings into Bordelais coffers.
In 1703 a treaty was arranged with Portugal whereby they would give preferment to the importation of English cloth in return for a cut rate duty on exporting Portuguese wine. Within a decade the landscape shifted enormously with a complete reversal in the lion's share of the British wine market going from France to Portugal (more on the cultural impact of this another time). What this meant was that claret then became even more of a premium item to be, literally, lorded over. The tabulations of a number of the cellars of British elites of this era, Whig grandees included, show almost ruinous investment in staggering amounts of claret. 

Robert Walpole, regarded as the first prime minister, organized a regular shipment of roughly 1,500 bottles worth of Margaux, and 300 odd bottles of Lafite and Haut-Brion to his country estate (these would have come in casks known as hogsheads). Jonathan Swift reckoned his own annual consumption of claret at a hogshead per year, and Margaux was his wife's favourite. As a fun, and entirely unhelpful point of comparison, Chateau Margaux can now sell for well over a thousand dollars a bottle or from £3,000 to £7,000 a case at auction.
Chateau Margaux, completed in 1812

This was the period when claret from the famous chateaux achieved its current texture and flavour, carefully produced and discernibly superior in quality. On 11 April 1663 Pepys noted in his diary that the evening before he had ventured with some friends to the Royal Oak pub on Lombard Street in the City and there "drank a sort of French wine called Ho Bryan [Haut-Brion], that hath a good and most particular taste that I never met with". Ever the empiricist, John Locke, while in exile, traveled to the Graves to inspect the gravel and white sand soil, and the rising slope of the sun-exposed Haut-Brion vineyard for himself.
Into the 18th century, and despite wars, occasional embargoes and relative high duties, England still brought in virtually all the top class claret that was being produced, leaving nothing for the Parisian market. A London Gazette advertisement of 22 May 1707 announced the arrival at the Brewer's quay near the Tower of "an entire parcel of New French Prize Clarets, lately landed, being of the growths of Lafitt, Margouze and Latour". Meanwhile in Scotland, 'traditionally' made claret, ie. the lighter and ready-made to drink stuff, was the regular tipple both in aristocratic homes and rustic taverns (where it was delightfully served by the pint drawn from casks). From Inverness, an English army officer in 1725 wrote that "French claret is to be met with almost everywhere in Public Houses of any note, except in the heart of the Highlands, and sometimes even there". It was indeed a British drink.
The popularity of wine has ebbed and flowed in society since the heyday of the 'three bottle man', as purveyors of the Georgian take on the three martini lunch were famous for. The advent in the 20th century of the professional wine connoisseur has meant that brilliant clarets have always been available for those who knew how and where to look. That said, anything generically labeled 'claret' in a shop window even up until the 1970's was likely to be from goodness knows where.

Funnily enough, it has been in part due to the rise of supermarket shopping that swathes of the British public has an awareness of wine buying these days. An accompanying revolution in the production technology of claret in the last few decades and the emergence of the wonderful right bank Merlots of Saint Emilion and environs has meant that there is better, more consistent bordeaux on sale than ever before. The snag of course is the price. Demand from around the world has sprinted past supply for the all the highly regarded chateaux. Still, there they are, in so many corner liquor shops and supermarkets in Britain. They may not be the best wine you can buy for under a tenner, but given a good review and a decent year, there's something satisfying in tucking into a pleasant young claret alongside your evening meal, like so many days gone by.

Summer Wines: Saumur-Champigny


Procrastinating, as I'm wont to do in the middle of the day, by wandering around a supermarket browsing the wine aisle with no intention of purchasing anything (as I can't be assed to carry the one or two, or five bottles that catch my eye around with me for the rest of the day) I came across a bottle of Saumur-Champigny on sale that I recalled had been recommended in the newspaper last year. I can remember wine reviews from a year ago, but can't remember my own phone number, go figure. (I can also often enough recall pub quiz questions that I've heard years before, unhelpfully, without quite as often recalling the answer)

It was like seeing an old friend. In my undergraduate days I had chanced upon a Saumur Champigny. Whatever it was about that day, the sun must have been shining fondly, as I easily remembered it as one of the nicest drops of red I had encountered amiably sitting by myself on a bar-stool at the counter in my kitchen.

Saumur-Champigny is made in the Loire Valley of France from the Cabernet Franc grape. Distantly related to the more heavyweight Cabernet Sauvignon grape, Cab Franc is still planted in its homeland of Bordeaux. Requiring less sunshine to ripen than Cab Sauv, it is used to round off blends on the left bank and comes into its own somewhat in St. Emilion where it is actually the majority grape of superstars Chateaux Ausone and Cheval Blanc. 1947 Cheval Blanc is often considered the best wine of the 20th century, so not a bad pedigree.

vineyards at Saumur on the Loire

In the Loire, a region better known for its whites, Cab Franc comes up with fairly priced wines that combines the pleasant aspects of claret with the fresh strawberry taste of some lighter burgundies.
Wines from the Saumur-Champigny appellation are at their best two to five years from the vintage date. Regularly labeled Saumur is also Cab Franc that is drawn from a wider net of vineyards around the eponymous medieval town on the Loire, and has long been part and parcel of Parisian bistro patios. As noted wine writer Jancis Robinson describes "they respond well to being lightly chilled and so are particularly useful for red wine lovers in high summer".

If you can't get your hands on any Saumur-Champigny, Cab Franc is also making cautious in-roads as a varietal wine outside of France. Washington state, probably my favourite untapped wine region, is reputedly having success with Cab Franc in the same growing conditions that has made them good Merlot for decades. In Niagara and New York's Finger Lakes it is also poised as the red grape with the most distinct promise.
Meanwhile, in Italy's Veneto, a lot of what has been planted as Cabernet has turned out to be of the Franc rather than Sauvignon variety. Although I would be a bit skeptical on its quality, especially the cheaper mass produced stuff that is more likely to be exported.

As summer has now arrived officially, and afternoon drinking of beaujolais (back properly in vogue- I swear it!) drifts towards the supper hour, I heartily subscribe to searching out this delicious wine from the Loire for light to medium sauced meals. Grilled salmon or roast pork would be good.

On Canadian Beer



Why are so many Canadians patriotically caught up in praising our beer brands when, frankly, so many of them are terrible? In the well loved John Candy satire Canadian Bacon, such an utterance starts a fight in the crowd at a hockey game. I've never understood it.

On the one hand, some of the giant American brands that we have so closely for comparison, I'm looking at you Budweiser, Coors Light and so on, are even worse than Molson and Labbatt's, so I guess we've got that. But what the States, and much of the rest of the world does quite well is craft beers, ales and stouts of some type. Now, it needs to be acknowledged I've been away from Canada in general, and Ontario in particular for five years now, and I recognize that in Toronto and elsewhere there have been the recent stirrings of the craft beer wave.

But let's look at the big picture. Molson 'Canadian', arguably the iconic beer on my generation with their 'Joe Canadian' ad campaigns years ago, is rubbish. Watery and inconsequential, I wouldn't wish it upon a thirsty dog. [And yes, I've already rated Bud as worse than that]. Alexander Keith's IPA is also an iconic beer I think in part for it's pretensions as the 'slightly upmarket' generic beer out there. First of all, it's not IPA. It's basically lager with a somewhat tinny taste to it. Whether you're a fan or not, actual IPA, is alcoholic, hoppy, and can knock your socks off if had too early in the morning.

Moosehead has a cloyingly sweet taste about it, which I'm not a fan of, but I can see its credence as a thirst quenching summer tipple. Steamwhistle and Kokanee, two regional favourites are alright, but nothing special as far as lager/pilsener's go.


The largest issue is how generic so many of the lagers taste, and that can be said for the world at large. But equally why I find Keith's IPA, pretending to be something interesting when it's not as laughable. Sleeman's is another case where their 'Honey Brown Ale' is fine, but not nearly as interesting as if they'd gone out and made an English or American style ale.

In England if you're not in the mood for lager, you've got cask ales, Guinness, and cider available. In the States, craft beers are given much more prominence and even a handful of mainstream beers like Sierra Nevada or Sam Adams are somewhat interesting.

At the end of day, I'm not too troubled when I get back home as I've got Creemore Springs, one of the most refreshing beers in the world, as my local. But the next time a canuck tries to extol the superiority of Canadian beer, or Canadian whisky, or Tim Hortons coffee for that matter, come off it would ya.

But now, for some more Canadian Bacon
https://www.youtube.com/watch?v=44bT3S3Rx5I

Everyday Drinking: Casillero del Diablo


Wine brands that can predominate at supermarkets or corner shops are often wholly dismissed in discussions about what to drink. However, I find so much of wine writing is focused on a premium level of wine purchaser that is often both unrelatable, and inherently unrealistic. My father, who was co-founder of the Toronto chapter of the Commanderie de Bordeaux, would assiduously hunt for everyday drinking wines around the £6-7, $8-10 US, $12 CAN mark. If you're grabbing that bottle of wine alongside a grocery shop it only makes sense to have a sense of the major brands on offer, and make the most of utilizing them.

Far and away my favourite ubiquitous wine out there is the Casillero del Diablo range from Chilean heavyweight producers Concha y Toro. The label's moniker, cheerfully as the 'Devil's Cellar', is so explained that in the late 19th century, the winery's founder, Don Melchor (who's legacy has impacted almost all of Chilean wine making... more on that probably later) told workers that devils haunted his prized cellars in order to dissuade interlopers. Nowadays the 'devil's' range isn't near the top of their wine making portfolio, but nonetheless it's both consistently excellent and easily available. Happy days.

The wine growing regions of Chile, situated nearby and to the south of the capital Santiago (visited twice last year... There's Something About Mary... anyone?), allow for tremendous variety of grapes to shine. What's more is that, even though the Casillero del Diablo wines are mass produced at an everyday value, in many instances they are legitimately interesting expressions of their varietal grapes.

My perennial go-to is the Carmenere, a red grape originally from Bordeaux that has become fashionable in Chile. I'll snap it up when I see it on sale anywhere in the world, and that includes excitedly chatting about it with the guys in a well established wine shop in the old school Testaccio neighborhood of Rome. Rich without being overpowering, spicy without being overbearing, it's well tasty enough to drink on its own. It  also does well at a summer barbecue in a pinch. The 2012 vintage won a gold medal commendation at an international wine judging last month. The 2012 Merlot and Malbec's also won silver medals and are great on their own.

Another of their reds I particularly like, and one that for me goes especially well with a broad range of food is the Shiraz. Once more pleasantly rich it actually carries a sense of refinement too often lacking in full throttle everyday varietal Shiraz's from Australia.  Essentially, the only one of their reds which is a bit average is the Cabernet Sauvignon. The high amounts of sunshine combined with high altitudes can transform the late ripening (thus requiring more sunshine) Cab into wonderful wines even at the lower price end in Chile; however it comes up a bit flat with the Casillero del Diablo, and I look out for the Santa Rita winery in that case.

On the white side, the Viognier matches the Carmenere as a memorable expression of the grape. Traditionally grown in the Rhone Valley in France where it's quite unheralded, Viognier is finding some prominence in places like Australia. It's strength lies in being more aromatic and refreshing than Chardonnay, and has enough flavour for it to go up against prosecco or cocktails as an aperitif. Speaking of which, in Casillero del Diablo's case the Chard is quite enjoyable and versatile with summer food from fish and salads through to lemon chicken. That said, the Sauvignon Blanc, another tasty grape I think Chile can do quite well, that comes off a bit average here, and again I instead look for Santa Rita,